Fade In
Shot 1:
Opening shot of MICHAEL walking into the room shutting the door behind him self with a whisky glass in hand. MICHAEL switches on the light. He takes off his coat hooks it onto the back of the chair in which he is about to sit. (The shot is a slight low angle situated on the table, at the edge of the camera is the edge of a whisky bottle)
Shot 2:
Shot of MICHEAL putting down his whisky, the glass slides a little across the table (medium close up of glass)
Shot 3:
MICHAEL then peers down at the work in front of him; he picks up the glass once again, drinking the remainder. (As he analyses his work he drums his fingers on the table).
The shot is a low angle looking up at the darkly lit face of MICHAEL.
Shot 4:
Michael then circles some of the points in his notes with the fountain pen. He then clenches his fist and ponders for a moment before he starts writing. As he starts writing the (VO) begins.
This sequence goes from a medium close up of the sheets of paper then tilts slowly up and focuses on the type writer (when he lightly tilts his head up to observe the blank page)
Shot 5:
After the first few words are written there is a reverse shot (extreme close-up) of MICHAEL’S eyes. You see his eyes following the words. He squints.
Shot 6:
As he squints he curls his hand into a fist (previous shot cuts to his hand (close up))
He then relaxes, takes a breath and carries on.
Shot 7: the last line of the text is written is a close up of his face
Shot 8: cut to a low angled shot of him looking at the near empty bottle of whisky. He picks both the glass and bottle up, ponders putting it in the glass, but then drops the glass and finishes it from the bottle.
Shot 9: Slam of both bottle and glass on table. (medium shot) he also stands up and grabs the phone on his desk)
Shot 10: Close up of him diling a number
Shot 11: dialogue on phone (close up of Michael speaking)
Shot 12: Slow downwards tilt revealing a dead man (medium shot) a black silhouette of a man crosses camera
Fade to black
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